Marketing for Luxury Automotive Brands

Showroom footage that sells the car before anyone walks in. We produce video and run campaigns for dealerships and automotive brands — measured in test drives, not impressions.

What one film did for a dealership

1,3–2,0

Mio. €

5,0x Branchendurchschnitt

Umsatzpotenzial aus 8,08 Mio. Views (Benchmark: 0,2–0,5 Mio. € Umsatz)

8,08

Mio. Views

160,0x Branchendurchschnitt

Für Unternehmen in High-Ticket-Branchen (Branchendurchschnitt: 50.000 Views)

160 – 250 €

Pro tausend Views

4,0x Branchendurchschnitt

Umsatzpotenzial pro 1.000 Views (Branchendurchschnitt: 20–60 €)

1,3–2,0

Mio. €

5,0x Branchenschnitt

Umsatzpotenzial aus 8,08 Mio. Views (Benchmark: 0,2–0,5 Mio. € Umsatz)

8,08

Mio. Views

160,0x Branchenschnitt

Für Unternehmen in High-Ticket-Branchen (Branchendurchschnitt: 50.000 Views)

160 – 250 €

Pro tausend Views

4,0x Branchenschnitt

Umsatzpotenzial pro 1.000 Views (Branchendurchschnitt: 20–60 €)

1,3–2,0

Mio. €

5,0x Branchenschnitt

Umsatzpotenzial aus 8,08 Mio. Views (Benchmark: 0,2–0,5 Mio. € Umsatz)

8,08

Mio. Views
160,0x Branchenschnitt

Für Unternehmen in High-Ticket-Branchen (Branchendurchschnitt: 50.000 Views)

160 – 250 €

Pro tausend Views

4,0x Branchenschnitt

Umsatzpotenzial pro 1.000 Views (Branchendurchschnitt: 20–60 €)

How a shoot works

Two people reviewing brand and content strategy on screen

Discovery & Audit

We take apart your positioning and your current output. What are you known for, what do people actually see, and where do the two come apart? The answer decides which formats get made.

Strategy session with notes and content plan on a table

Architecture & Strategy

We define the formats, the shooting rhythm and the publishing plan — which content runs weekly, which is produced once and cut into many pieces, and what each format is supposed to achieve.

Camera operator filming a vertical video on location

Production

One shoot day on location in Dubai produces around thirty pieces. Camera, direction, edit, subtitles and vertical formats come from our own team, not from a chain of freelancers.

Two people reviewing brand and content strategy on screen

Discovery & Audit

We take apart your positioning and your current output. What are you known for, what do people actually see, and where do the two come apart? The answer decides which formats get made.

Two people reviewing brand and content strategy on screen

Discovery & Audit

We take apart your positioning and your current output. What are you known for, what do people actually see, and where do the two come apart? The answer decides which formats get made.

Strategy session with notes and content plan on a table

Architecture & Strategy

We define the formats, the shooting rhythm and the publishing plan — which content runs weekly, which is produced once and cut into many pieces, and what each format is supposed to achieve.

Camera operator filming a vertical video on location

Production

One shoot day on location in Dubai produces around thirty pieces. Camera, direction, edit, subtitles and vertical formats come from our own team, not from a chain of freelancers.

Two people reviewing brand and content strategy on screen

Discovery & Audit

We take apart your positioning and your current output. What are you known for, what do people actually see, and where do the two come apart? The answer decides which formats get made.

Strategy session with notes and content plan on a table

Architecture & Strategy

We define the formats, the shooting rhythm and the publishing plan — which content runs weekly, which is produced once and cut into many pieces, and what each format is supposed to achieve.

Camera operator filming a vertical video on location

Production

One shoot day on location in Dubai produces around thirty pieces. Camera, direction, edit, subtitles and vertical formats come from our own team, not from a chain of freelancers.

Two people reviewing brand and content strategy on screen

Discovery & Audit

We take apart your positioning and your current output. What are you known for, what do people actually see, and where do the two come apart? The answer decides which formats get made.

Automotive video production and campaigns

Alpine sports car in the Düsseldorf showroom

Automotive video production

Cars are shot badly more often than any other product. Wrong hour, wrong angle, wrong format — and a vehicle worth two hundred thousand euros looks like a classified listing. The fixes are not expensive, they are just rarely planned for.

Why automotive footage fails

Three mistakes repeat everywhere. Shooting at midday, when hard light destroys every reflection on the paintwork. Filming the whole car when the detail sells it — the stitching, the wheel, the door line. And cutting for a horizontal screen when the buyer is holding a phone. We shoot at the right hour, close, and vertical by default, then cut the long version from the same material.

Detail shot of Alpine bodywork and wheel

You’ll recognise this if…

Stock imagery from the manufacturer

The same manufacturer press photos every dealer in the country uses. Nothing in them says it is your showroom, your stock or your people. A buyer comparing three dealerships sees the identical image three times and decides on distance.

Enquiries without intent

Forms get filled by people who will never book a test drive. Your sales team sorts them by hand, and the good ones sit behind twenty that were never serious. Volume looks fine in the report and costs half a day a week on the floor.

The showroom never appears

Your strongest asset is the room the car sits in — the light, the floor, the way a car looks when it is presented properly. It exists, people walk through it every day, and online it is invisible.

One launch, then silence

A film gets made for a model launch and then nothing happens for months. By the next launch the footage looks dated, the agency has changed, and the whole production starts from zero instead of building on what already exists.

Camera setup during an automotive shoot

FORUM Klinik, Cologne

A private surgical clinic in Cologne with a strong reputation offline and nothing to match it online. We rebuilt positioning, produced a content library inside the building and put a short funnel underneath. It is not automotive — but it is the clearest proof of what the method does when the product is expensive, the decision is slow and trust decides the sale.

691,441

Views in the first campaign period

4.27 %

Funnel conversion rate

€3.97

Cost per application

Questions dealerships ask us

What does a car dealership marketing agency actually change?
How is automotive video production different?
Do you shoot in the showroom or outside?
Can this work for a single-location dealer?
What reference do you have in automotive?
How often should we produce?
What does a car dealership marketing agency actually change?
How is automotive video production different?
Do you shoot in the showroom or outside?
Can this work for a single-location dealer?
What reference do you have in automotive?
How often should we produce?

Want more test drives booked?

Alpine interior detail, stitching and dashboard
Showroom floor with cars under controlled lighting
Behind the scenes of the Alpine brand film
  • ORTHO Mannheim – Kunde der UNITED Digitalagentur
  • Dr. med. Svetozar Adžemović – Kunde der UNITED Digitalagentur
  • Dr. med. Lars Schumacher und Kollegen – Kunde der UNITED Digitalagentur
  • Dr. med. Katinka Staemmler – Kundin der UNITED Digitalagentur
  • Dr. Yun – Kunde der UNITED Digitalagentur
  • Franklin Klinik – Kunde der UNITED Digitalagentur
  • Vivorio – Kunde der UNITED Digitalagentur